Waldermar Januszczak, Home is where the art is, The Sunday Times'...this particular show is the most beautiful I have seen by her'
'Gone is the anger. Gone is the man-bashing. In their place, an air of wistful nostalgia seems to have seeped into her art. Where previously it was Margate’s darknesses and cruelty she remembered, here she seems to be reliving the nice bits. The sensuous experience of making love. The good side of having a boyfriend. '
'Some of this softening should probably be understood as a reaction to the sheer beauty of these exquisite exhibition spaces. Designed by the immaculately progressive David Chipperfield, Turner Contemporary is probably the most elegant gallery interior in Britain right now.'
'When you look out of the windows, all you can see is the sea, rolling and encompassing.
It’s a beautiful effect, and the proximity of the lapping water seems to have inspired a set
of gentle reflections in Emin, on love and blokes and paddling.'
'That scratchy touch of Emin’s, light as a sparrow, fragile as a chicken bone, dominates all these effects, and I fancy this will be recognised as the event at which Dame Tracey Emin, staunch defender of the artist’s touch, stepped fully out of the closet.'
'I have never seen Turner’s erotic drawings before. They are surprisingly steamy, and easily the most shocking exhibits here.'
'Margate’s sympathetic installation across three galleries gives maximum force.'
'The bright, sea-facing room contains blue gouaches... are the most beautiful things Emin has done – spare, light, unpretentious.'
'The flowing, looping outlines of fragile figures on white grounds suggest now turbulence or alarm, now ecstasy but always – as implied by the show’s title and helped by the view of the sea – a sense of the body overwhelmed by tidal waves of feeling.'
'...her tenacity and spirit of survival impress.'
'...the juxtaposition [with Turner and Rodin] is also a triumph for the democratisation of art, the breakdown of class and regional/metropolitan barriers, which Emin by her life-as-performance has helped effect in the past two decades.'
'The great thing about Margate’s show is that it is taking place here at all.'
I've always thought Tracey Emin's work to be over-rated and could take it or leave it. I came to see her exhibition at Turner Contemporary last Friday and was completely blown away. I absolutely loved it and am so glad that I didn't miss it.
Thanks TC for great experience. I'm looking forward to the Katz exhibition.
This is wonderful. I'm a great fan, although I only own one drawing, of which I am very fond. It is so good to find a woman being free with the theme of eroticism. I wish that I could get to it from Devon.
Can't wait for this one. :)
I was brought up in Margate in the generation before Tracey Emin. I used to say "I don't like what Tracey does, but I love the way she does it" (ha-ha how witty!). After the Hayward Gallery exhibition, I'm completely converted, and shall be driving down to see you all again in May.
Cannot wait for Tracey to return home and have her work displayed in margate. I'm sure this show will finally put Margate on the map and we should thankful to Tracey that margate is still deep within her heart.
Can't wait for this one. Thanks Tracey.
I'm looking forward to this event - Miss Emin is a great artist and ambassador for Margate. Love The Neons!
I visited the exhibition today and absolutely loved it. The dominant shade of blue and the different media used, especially the tapestry and embroidery, made good works exceptional. Very moving and so beautiful.....
Impulsive, instinctive, fragile and genuine-very moved by this recent work.